314. No Poetry to Moonlight
Moon comes
big with
winter and
shrinks back
when winter leaves, the
ground
left by
snow no
longer
is
the bigger moon
here,
sound of
breathing
inhabits
night, even
the breathing
body bears
the breath
of it and
hears
what is
to
hear or
not, like
a heart
that’s
some
thing
else
and left
from rushing
blood, what’s
stopped
won’t move,
head
covered in
lamplight
and she
reads in
the mists
of it, stone
on her
hand the
color of
eyes, hair
to see
through,
to hold
back, the
view from
there is
out or
away,
nothing
to see in
night,
window
echoes
face,
the breath
at night
might stop,
or move,
and mouth
go dry,
as winter
dies and
slowly
leaves, the
slowed retreat
of season
from another,
the hand is
creased from
all its
working,
the
writing
holding
having
and could
make a
fire from
the last
damp wood,
tho it
would
take intention,
placing
of birch to
catch the
first flame
and fire,
to send the
breath
of air
right under
it
and give
the fire
its way,
a moon
in green,
what
growing it’s
made, will
hang,
each one
from an
ear, or
white,
and through
slanted
light of
lamp at
night or
sun at
day, and
it all frac-
tures at
the touch
of cold,
to find a
little bit
of
memory
in a hand’s
scar
and hand-
some, to
get the
last breath
out of
dreaming, to
reach thru
darkness and
almost
find, to set
the flint
against
the metal
and spark
that first
flame
of last
fire
at the opening
of April
after the end
of March
and giving up
winter for it,
the time it
takes to take
the time
to see what
night had
hid, what
might be
gained by
knowing,
and by
knowing
only
the few
things it ever took
to make
the course
of living it
out in full:
the breath,
the breast,
the break.
big with
winter and
shrinks back
when winter leaves, the
ground
left by
snow no
longer
is
the bigger moon
here,
sound of
breathing
inhabits
night, even
the breathing
body bears
the breath
of it and
hears
what is
to
hear or
not, like
a heart
that’s
some
thing
else
and left
from rushing
blood, what’s
stopped
won’t move,
head
covered in
lamplight
and she
reads in
the mists
of it, stone
on her
hand the
color of
eyes, hair
to see
through,
to hold
back, the
view from
there is
out or
away,
nothing
to see in
night,
window
echoes
face,
the breath
at night
might stop,
or move,
and mouth
go dry,
as winter
dies and
slowly
leaves, the
slowed retreat
of season
from another,
the hand is
creased from
all its
working,
the
writing
holding
having
and could
make a
fire from
the last
damp wood,
tho it
would
take intention,
placing
of birch to
catch the
first flame
and fire,
to send the
breath
of air
right under
it
and give
the fire
its way,
a moon
in green,
what
growing it’s
made, will
hang,
each one
from an
ear, or
white,
and through
slanted
light of
lamp at
night or
sun at
day, and
it all frac-
tures at
the touch
of cold,
to find a
little bit
of
memory
in a hand’s
scar
and hand-
some, to
get the
last breath
out of
dreaming, to
reach thru
darkness and
almost
find, to set
the flint
against
the metal
and spark
that first
flame
of last
fire
at the opening
of April
after the end
of March
and giving up
winter for it,
the time it
takes to take
the time
to see what
night had
hid, what
might be
gained by
knowing,
and by
knowing
only
the few
things it ever took
to make
the course
of living it
out in full:
the breath,
the breast,
the break.
Comments
Post a Comment