272. The Architecture of Song
the limits of the extension of the plane into undefined space
the exaggerations of the desire of a cantilevered bridge
the opening through an arch into a space made greater by framing
a method for developing systems for limiting space
a concept that joins the experiences of the eye with those of the body
an architextural system of words that gives body to air and light
inchlight and
peerquence
voluminic
stratifications
employled
to the eyence
demurbled
for blendths
carpaintered
excarvations
manumitted
shadowments
doecile ayre
and lighth
you believe it as you believe as heart beats through ribcage the blessèd blood
you create it as you create the turgid craters of your dreams volcanic sough
you intend it as you intend to be who you are whenever where you are
music in the form
of voices released
a cemetery of sadness
and voluptuous drone
what you hear as light
and feel as whisper
or a finger dragged against
a neck as warm breath
a long tender wail
slighter than a wren’s voice
a warble that may be a cry
which itself might be crying
a stump
a stop
one way to make the world into shapes to hold us is not
one idea of how to create the sense of distance in a small space is not
one thought to guide your movement through a space is not
buildered
in blindst
segmented
in/to wholes
distributered
as pieces of
tarjetted from
a space of making
concentertrated
as a bill of lading
anonymalized
as s thought forgotted
caramemorialized
as a fact
a manner of making melodious music with a mouth
a muscle that moves the hinges of the jaw
a singing that seems to point us to a fact of life
a lifting voice that carries out its fate
the opening
the exaggerations
the limits
the exaggerations of the desire of a cantilevered bridge
the opening through an arch into a space made greater by framing
a method for developing systems for limiting space
a concept that joins the experiences of the eye with those of the body
an architextural system of words that gives body to air and light
inchlight and
peerquence
voluminic
stratifications
employled
to the eyence
demurbled
for blendths
carpaintered
excarvations
manumitted
shadowments
doecile ayre
and lighth
you believe it as you believe as heart beats through ribcage the blessèd blood
you create it as you create the turgid craters of your dreams volcanic sough
you intend it as you intend to be who you are whenever where you are
music in the form
of voices released
a cemetery of sadness
and voluptuous drone
what you hear as light
and feel as whisper
or a finger dragged against
a neck as warm breath
a long tender wail
slighter than a wren’s voice
a warble that may be a cry
which itself might be crying
a stump
a stop
one way to make the world into shapes to hold us is not
one idea of how to create the sense of distance in a small space is not
one thought to guide your movement through a space is not
buildered
in blindst
segmented
in/to wholes
distributered
as pieces of
tarjetted from
a space of making
concentertrated
as a bill of lading
anonymalized
as s thought forgotted
caramemorialized
as a fact
a manner of making melodious music with a mouth
a muscle that moves the hinges of the jaw
a singing that seems to point us to a fact of life
a lifting voice that carries out its fate
the opening
the exaggerations
the limits
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